Quotes From "The Joke" By Milan Kundera

Youth is terrible: it is a stage trod by children in buskins and a variety of costumes mouthing speeches they've memorized and fanatically believe but only half understand. And history is terrible because it so often ends up a playground for the immature; a playground for the young Nero, a playground for the young Bonaparte, a playground for the easily roused mobs of children whose simulated passions and simplistic poses suddenly metamorphose into a catastrophically real reality. Milan Kundera

I had all kinds of answers ready for the commissions that called me in and asked me what had made me become a Communist, but what had attracted me to the movement more than anything, dazzled me, was the feeling (real or apparent) of standing near the wheel of history. For in those days we actually did decide the fate of men and events, especially at the universities; in those early years there were very few Communists on the faculty, and the Communists in the student body ran the universities almost single-handed, making decisions on academic staffing, teaching reform, and the curriculum. The intoxication we experienced is commonly known as the intoxication of power, but (with a bit of good will) I could choose less severe words: we were bewitched by history; we were drunk with the thought of jumping on its back and feeling it beneath us; admittedly, in most cases the result was an ugly lust for power, but (as all human affairs are ambiguous) there was still (and especially, perhaps, in us, the young), an altogether idealistic illusion that we were inaugurating a human era in which man (all men) would be neither outside history, nor under the heel of history, but would create and direct it. Milan Kundera

Their message will never be decoded, not only because there is no key to it, but also because people have no patience to listen to it in an age when the accumulation of messages old and new is such that their voices cancel one another out. Today history is no more than a thin thread of the remembered stretching over an ocean of the forgotten, but time moves on, and an epoch of millennia will come which the inextensible memory of the individual will be unable to encompass; whole centuries and millennia will therefore fall away, centuries of painting and music, centuries of discoveries, of battles, of books, and this will be dire, because man will lose the notion of his self, and his history, unfathomable, unencompassable, will shrivel into a few schematic signs destitute of all sense. Milan Kundera

Their message will never be decoded… because people have no patience to listen to it in an age when the accumulation of messages old and new is such that their voices cancel one another out. Today history is no more than a thin thread of the remembered stretching over an ocean of the forgotten, but time moves on, and an epoch of millennia will come which the inextensible memory of the individual will be unable to encompass; whole centuries and millennia will therefore fall away, centuries of painting and music, centuries of discoveries, of battles, of books, and this will be dire, because man will lose the notion of his self, and his history, unfathomable, unencompassable, will shrivel into a few schematic signs destitute of all sense. Milan Kundera

How would I explain to him that I couldn’t make peace with him? How would I explain that if I did I would immediately lose my inner balance? How would I explain that one of the arms of my internal scales would suddenly shoot upward? How would I explain that my hatred of him counterbalanced the weight of evil that had fallen on my youth? How would I explain that he embodied all the evils in my life? How would I explain to him that I needed to hate him? . Milan Kundera

People who shout joy from the rooftops are often the saddest of all. Milan Kundera

A person's destiny often ends before his death. Milan Kundera

Who was the real me? I can only repeat: I was a man of many faces. At meetings I was earnest, enthusiastic, and committed; among friends, unconstrained and given to teasing; with Marketa, cynical and fitfully witty; and alone (and thinking of Marketa), unsure of myself and as agitated as a schoolboy. Was the last face the real one? No. They were all real: I was not a hypocrite, with one real face and several false ones. I had several faces because I was young and didn’t know who I was or wanted to be. (I was frightened by the differences between one face and the next; none of them seemed to fit me properly, and I groped my way clumsily among them.) . Milan Kundera

Do stories, apart from happening, being, have something to say? For all my skepticism, some trace of irrational superstition did survive in me, the strange conviction, for example, that everything in life that happens to me also has a sense, that it means something, that life speaks to us about itself through its story, that it gradually reveals a secret, that it takes the form of a rebus whose message must be deciphered, that the stories we live compromise the mythology of our lives and in that mythology lies the key to truth and mystery. Is it an illusion? Possibly, even probably, but I can’t rid myself of the need continually to decipher my own life. Milan Kundera

I was not a hypocrite, with one real face and several false ones. I had several faces because I was young and didn't know who I was or wanted to be. Milan Kundera

She spoke about it with such emphasis (somewhat affected) that I could see at once that I was hearing the manifesto of her generation. Every generation has its own set of passions, loves, and interests, which it professes with a certain tenacity, to differentiate it from older generations and to confirm itself in its uniqueness. Submitting to a generation mentality (to this pride of the herd) has always repelled me. After Miss Broz had developed her provocative argument (I've now heard it at least fifty times from people her age) that all mankind is divided into those who give hitchhikers lifts (human people who love adventure) and those who don't (inhuman people who fear life), I jokingly called her a "dogmatist of the hitch." She answered sharply that she was neither dogmatist nor revisionist nor sectarian nor deviationist, that those were all words of ours, that we had invented them, that they belonged to us, and that they were completely alien to them. . Milan Kundera

Youth is a terrible thing: it is a stage trod by children in buskins and fancy costumes mouthing speeches they've memorized and fanatically believe but only half understand Milan Kundera

Most people willingly deceive themselves with a doubly false faith; they believe in eternal memory (of men, things, deeds, peoples) and in rectification (of deeds, errors, sins, injustice). Both are sham. The truth lies at the opposite end of the scale: everything will be forgotten and nothing will be rectified. All rectification (both vengeance and forgiveness) will be taken over by oblivion. Milan Kundera

Until that day at the dress department Lucie had been many things to me: a child, a source of comfort, a balm, an escape from myself; she was literally everything for me — but a woman. Our love in the physical sense of the word had proceeded no further than the kissing stage. And even the way she kissed was childish (I'd fallen in love with those kisses, long but chaste, with dry closed lips counting each other's fine striations as they touched in emotion). In short, until then I had felt tenderness for Lucie, but no sensual desire; I'd grown so accustomed to its absence that I wasn't even conscious of it; my relationship with Lucie seemed so beautiful that I could never have dreamed anything was missing. Everything fit so harmoniously together: Lucie, her monastically gray clothes, and my monastically chaste relation with her. Milan Kundera